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Clerks III (2022) Movie Drinking Game & Review

Clerks III (2022) Movie Drinking Game

Take a Drink: for every surprising cameo

Take a Drink: for every scene pulled directly from a previous Clerks movie

Take a Drink: for every weed joke

Take a Drink: whenever Jason Mewes’ new teeth give you a doubletake.  It does make Skinny Silent Bob less distracting, though.

Do a Shot: for every heart attack or ghost visit

By: Henry J. Fromage (Four Beers) –

It seems like yesterday that I was catching Kevin Smith’s always excellent stage shows in college and discovering his work, and yet somehow here we are nearly 30 years after Clerks and everyone is fucking old, including, I guess, myself.

Although, respect to Smith and Mewes, who maybe even look younger?

With Clerks III, Smith returns to where it all began, with a meta flourish at that.  Randal and Dante are back working at the Quick Stop, when Randal (like Smith in real life) has a heart attack.  Shaken by the fact he pulled through despite only a 20% chance of survival, he decides he needs to do something with his life already- make a movie about what he knows best, all those strange people in front of and behind the counter of that Quick Stop.

A Toast

There are two things Clerks III simply needs to be successful, and I’m happy to report that it delivers on both.  It’s funny- more jokes land than don’t- and it features the characters you’ve grown to love, some changed more than others by the intervening years, yet still indelibly themselves.  You’re watching Clerks III because you’ve grown to love them across the previous two films, and this film does not betray that.
While Smith is never shy about putting himself and his all into his work, this feels like an even more personal work than most for him- a rumination on the close brush with mortality he not too long ago experienced, and weight of years on some of the most important relationships in his life.  That love goes both ways- not just for the surprising amount of folks he was able to reassemble for the film, many of whom can’t have done much if any acting since Clerks, but also the delightful cameos from recognizable faces, even if just for a scene or even just line or two.
A last shout-out to Trevor Fehrman and the character of Elias, easily the worst part of the franchise from his appearance as the gratingly obnoxious Christian character from the first.  Here he, in a I’m surprised to say refreshing turn, swaps allegiances to Satan when he thinks his pleas to him over Jesus are what saved Randal’s life, and proceeds to show up in increasingly garish goth getups for the rest of the film with his own Silent Bob-esque sidekick as the otherwise mild-mannered voice of reason.  I don’t know why this worked so well for me, but it did.

Beer Two

Unfortunately, Clerks III has such a chintzy shooting style- and not one that dovetails with the best film stock that $27,575 could buy when shooting the original in 1994, either, which at least would have been a stylistic choice.  Instead it comes off as largely being shot on mid-2000s digital, back when Smith still had Hollywood budgets at his disposal.

Beer Three

All of the shot/counter-shot dialogue scenes start to give you whiplash.  The buddy who I watched it with even wondered if the actors filmed each other (I guess it is a pretty small shooting space, and maybe the original did it too and I’ve just forgotten?)

Beer Four

All-in-all, this somehow feels like the work of a less mature filmmaker – maybe it’s just nothing’s precocious anymore, but the same old tricks on a much lesser budget don’t land right from a filmmaking perspective.  That’s not a commentary on the themes and heart, though, it’s just unfortunate that the style couldn’t amplify and accentuate them more.

Verdict

Clerks III may be not hit all of those old highs, but there’s no questioning the heart of Kevin Smith and his merry band of pranksters.

Clerks III comes out in theaters September 12th.  Catch it while you can!

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